Here is information about CMPL class enrollment for spring 2025. Classes with no meeting time listed are not shown. Feel free to contact me with any questions/comments/issues. I am happy to add any departments that are missing from these listings, just reach out to ask!
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Data also available for: COMP, AAAD, AMST, ANTH, APPL, ASTR, BCB, BIOC, BIOL, BIOS, BMME, BUSI, CHEM, CLAR, CMPL, COMM, DATA, DRAM, ECON, EDUC, EMES, ENEC, ENGL, ENVR, EPID, EXSS, GEOG, HBEH, INLS, LING, MATH, MEJO, NSCI, PHIL, PHYS, PLAN, PLCY, POLI, PSYC, SOCI, STOR, WGST
Data last updated: 2025-01-23 12:09:37.267281
Class Number | Class | Meeting Time | Instructor | Room | Unreserved Enrollment | Reserved Enrollment | Total Enrollment | Wait List |
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12272 | CMPL 120 - 001 Great Books I: Epic and Lyric Traditions | MoWe 1:25PM - 2:40PM | JESSICA WOLFE | Greenlaw Hall-Rm 0305 | 32/35 | Seats filled | 32/35 | 0/999 |
Description: Fulfills a major core requirement. Major works of literature central to the formation of Western culture from antiquity to 1750. Considers epic, lyric, drama, and prose; core authors such as Homer, Virgil, Dante, and Milton. 3 units. | ||||||||
8564 | CMPL 143 - 001 History of Global Cinema | MoWeFr 1:25PM - 2:15PM | Martin Johnson, Carson Watlington | Fetzer Hall-Rm 0109 | 40/49 | Seats filled | 41/50 | 0/999 |
Description: This course is designed to introduce students to the field of global cinema and, thence, to the methods of comparativist film study. 3 units. | ||||||||
15138 | CMPL 220H - 001 Global Authors: Jane Austen | TuTh 9:30AM - 10:45AM | INGER BRODEY | Murphey Hall-Rm 0302 | Seats filled | Seats filled | 24/24 | 0/999 |
Description: Fulfills a major core requirement. This course examines the fiction of Jane Austen and her literary and cultural influence across the globe. We will see echoes of Austen in novels and films from around the world and explore how her work transcends generational, cultural, and geographical boundaries. What is the secret of her global appeal? 3 units. | ||||||||
15209 | CMPL 250 - 001 Approaches to Comparative Literature | MoWeFr 9:05AM - 9:55AM | Sheera Talpaz | Greenlaw Hall-Rm 0222 | 11/35 | Seats filled | 11/35 | 0/999 |
Description: This communications-intensive course familiarizes students with the theory and practice of comparative literature: the history of literary theory; translation; and literature combined with disciplines such as music, architecture, and philosophy. 3 units. | ||||||||
12020 | CMPL 251 - 001 Introduction to Literary Theory | TuTh 5:00PM - 6:15PM | SHAYNE LEGASSIE | Murphey Hall-Rm 0112 | 11/25 | Seats filled | 11/25 | 0/999 |
Description: Familiarizes students with the theory and practice of comparative literature. Against a background of classical poetics and rhetoric, explores various modern literary theories, including Russian formalism, Frankfurt School, feminism, psychoanalysis, deconstruction, new historicism, and others. All reading in theory is paired with that of literary texts drawn from a wide range of literary periods and national traditions. 3 units. | ||||||||
14911 | CMPL 263 - 001 European Exile Cinema | MoWeFr 1:25PM - 2:15PM | INGA POLLMANN | Dey Hall-Rm 0404 | 3/15 | Seats filled | 3/15 | 0/999 |
Description: This course examines the work of one or several film directors who went into exile during the Third Reich to discuss: How does the experience of exile influence film style? What are theories and histories of exile and exile cinema, and how do they relate to other approaches to film, via national film histories, genre, style, etc.? How does a biography of exile relate to so-called auteur theory? Readings and Discussions in English. 3 units. | ||||||||
15009 | CMPL 279 - 001 Once Upon A Fairy Tale: Fairy Tales and Childhood, Then and Now | MoWeFr 9:05AM - 9:55AM | Tobias Wilke | Kenan Labs-Rm B125 | 14/16 | Seats filled | 14/16 | 0/999 |
Description: Considers fairy tales from several different national traditions and historical periods against the backdrop of folklore, literature, psychoanalysis, and the socializing forces directed at children. Students may not receive credit for both GERM 279/CMPL 279 and GSLL 54. 3 units. | ||||||||
10814 | CMPL 280 - 001 Film Genres | TuTh 12:30PM - 1:45PM | GREGORY FLAXMAN | Wilson Hall-Rm 0217 | 22/35 | Seats filled | 22/35 | 0/999 |
Description: This course introduces students to the methods of genre theory and analysis as they pertain to cinema. The course may either provide a survey of several different genres or examine a particular genre in depth as it has evolved historically. National and/or transnational dimensions of popular genres may be emphasized. 3 units. | ||||||||
15147 | CMPL 280 - 002 Film Genres | MoWeFr 10:10AM - 11:00AM | INGA POLLMANN | Genome Sciences Bui-Rm 1374 | 14/35 | Seats filled | 14/35 | 0/999 |
Description: This course introduces students to the methods of genre theory and analysis as they pertain to cinema. The course may either provide a survey of several different genres or examine a particular genre in depth as it has evolved historically. National and/or transnational dimensions of popular genres may be emphasized. 3 units. | ||||||||
14985 | CMPL 282 - 001 Russian Literature in World Cinema | TuTh 2:00PM - 3:15PM | Stanislav Shvabrin | Dey Hall-Rm 0404 | 10/15 | Seats filled | 10/15 | 0/999 |
Description: Survey of masterpieces of Russian literature in the context of their transcultural cinematic adaptations. Lectures and readings in English. 3 units. | ||||||||
14603 | CMPL 454 - 001 Literature of the Continental Renaissance in Translation | TuTh 8:00AM - 9:15AM | MARSHA COLLINS | Greenlaw Hall-Rm 0318 | 8/25 | Seats filled | 8/25 | 0/999 |
Description: Discussion of the major works of Petrarch, Boccaccio, Machiavelli, Castiglione, Ariosto, Tasso, Rabelais, Ronsard, Montaigne, Cervantes, and Erasmus. 3 units. | ||||||||
15020 | CMPL 469 - 001 Milan Kundera and World Literature | TuTh 9:30AM - 10:45AM | Eliza Rose | Dey Hall-Rm 0404 | 5/15 | Seats filled | 5/15 | 0/999 |
Description: This course traces Milan Kundera's literary path from his communist poetic youth to his present postmodern Francophilia. His work will be compared with those authors he considers his predecessors and influences in European literature. Taught in English. Some readings in Czech for qualified students. 3 units. | ||||||||
14604 | CMPL 473 - 001 Drama, Pageantry, and Spectacle in Medieval Europe | Mo 3:35PM - 6:35PM | H.M. Cushman | Dey Hall-Rm 0302 | 18/20 | Seats filled | 18/20 | 0/999 |
Description: An introduction to many different forms of medieval drama and pageantry, including plays, tournaments, public executions, and religious processions. Plays, artwork, and texts from a range of Western European countries, ranging in date from the eighth to the 16th centuries, may be considered. 3 units. | ||||||||
14983 | CMPL 477 - 001 Wicked Desire: Vladimir Nabokov, Lolita, on Page and Screen | TuTh 11:00AM - 12:15PM | Stanislav Shvabrin | Wilson Hall-Rm 0202 | 9/15 | Seats filled | 9/15 | 0/999 |
Description: Vladimir Nabokov's novel Lolita (1955) became a global phenomenon due to its unflinching portrayal of pedophilia. This course will delve deeper into the novel's moral complexity, its international context, and its reflection in mass culture, including movies by Stanley Kubrick (1962) and Adrian Lyne (1997). Taught in English; some readings in Russian for qualified students. 3 units. | ||||||||
12628 | CMPL 489 - 001 Empire and Diplomacy | TuTh 2:00PM - 3:15PM | Ted Leinbaugh | Global Education, F-Rm 1009 | 10/16 | Seats filled | 10/16 | 0/999 |
Description: Examines the history of the British Empire and the role of peace, war, defense, diplomacy, and letters in shaping Britain's presence on the world stage. 3 units. | ||||||||
15211 | CMPL 490 - 001 Special Topics | MoWeFr 1:25PM - 2:15PM | Sheera Talpaz | Murphey Hall-Rm 0204 | 10/25 | Seats filled | 10/25 | 0/999 |
Description: Topics vary from semester to semester. 3 units. | ||||||||
10719 | CMPL 495 - 001 Advanced Seminar | TuTh 3:30PM - 4:45PM | SHAYNE LEGASSIE | Dey Hall-Rm 0203 | 10/20 | Seats filled | 10/20 | 0/999 |
Description: This seminar allows comparative literature majors to work on an independent project to synthesize their curricular experience, and it introduces them to current, broadly applicable issues in comparative literature. Previously offered as CMPL 500. 3 units. | ||||||||
14605 | CMPL 520 - 001 Cinema, Painting, and The Frame | TuTh 3:30PM - 4:45PM | GREGORY FLAXMAN | Greenlaw Hall-Rm 526B | 8/20 | Seats filled | 8/20 | 0/999 |
Description: This course comparatively explores the relationship between cinema and painting. Drawing on methods and concepts from art history, and considering photography as an intermediary between painting and film, this course considers the aesthetic, political, and philosophical dimensions of the frame. 3 units. | ||||||||
14816 | CMPL 527 - 001 Cold War Culture in East Asia: Transnational and Intermedial Connections | TuTh 12:30PM - 1:45PM | I Jonathan Kief | New West-Rm 0219 | 8/10 | Seats filled | 8/10 | 0/999 |
Description: This course introduces students to the specific contours that the Cold War accrued in East Asia. Focusing on literature and film, it explores what the fall of the Japanese Empire and the emergence of the post-1945 world meant across the region. 3 units. | ||||||||
15206 | CMPL 866 - 001 Melancholia | Mo 4:40PM - 7:10PM | Aleksandra Prica | Dey Hall-Rm 0412 | 5/10 | Seats filled | 5/10 | 0/999 |
Description: This seminar will examine the historical variability of melancholy as it relates to works of visual art and literature, as well as philosophical, religious, psychological, and medical discourses from French, German, Italian and English-speaking Europe. Emphasis will be placed on German literature from the Middle Ages to the 20th century and on exploring the inherent melancholy of its modes of imagination, expression, and representation. 3 units. |